PUT: PAZIN - UJČIĆ TUGOMIL
The goal of the joint project of the Pazin City Library and the State Archives in Pazin is the digitization and protection, and thus the permanent preservation of selected works of Tugomil Ujčić and ensuring easier and faster access to this printed cultural heritage.
The building was digitized in cooperation with the Pazin City Library. Tugomil Ujčić donated his 3600-volume library to the State Archives in Pazin. The gifted fund fits into the archive library fund because it is a large number of books with historical themes. A special feature of the fund is the collection of old books, which includes books that came out between 1455 and 1835. Tugomil Ujčić gave the Archive 184 such books. Thanks to this, the collection of old books in the Archive library has a total of 809 volumes. Looking at the total fund of donated books, most of them came out in the second half of the 19th century, until the 40s of the 20th century. The fund includes historical works, geographical and literary works, dictionaries and translations of ancient authors. Ujčić's legacy includes several magazines, most of which date from the period of Italian administration (1918-1943), and a smaller part from the second half of the 19th century.
The project is implemented with the financial support of the Ministry of Culture and Media.
Tugomil Ujčić, poet, prose writer, playwright and publicist, was born in 1906 in Pazin and died in 1995 in Sušak. After his education, he returned to Istria, more precisely to his native Pazin, in 1966 he produced his fruitful literary work. He started writing very early, and his most important works were created from 1953 onwards.
‘He attended the Pučka school and two classes of the old Pazin gymnasium in his hometown, and after the First World War and the last occupation of Istria he moved to Karlovac to the Istrian School for Refugee Students and graduated from the Karlovac Classical Gymnasium in 1925. During a visit to his parents in Pazin, he was invited to serve in the army, so he fled to Yugoslavia. He studied language and literature in Belgrade and graduated in 1929. He was a high school teacher in Smederevo, Senta, Ruma, Gospić (Teaching School), Kruševac, Kragujevac (1941-45; Second men's high school) and Upper Milanovac. In 1946-62 he taught at the Pazin Gymnasium and then until his retirement in 1964 at the Pedagogical Academy in Pula. Almost the entire topic of his oeuvre is related to Istria. He wrote poetry in Chakavian, Croatian books, Serbian and several songs in Italian. He has published books of poems, brochures and poems: Istrian legend (1954), Pad Pazin briegah (1954), I drink for your new birth ancient Motovun (1969), From Dark to Light (1978), Stone Flower of Istria (1979), Dubravica sung (1982), Pod lumbrelon marožanja i škierca (1982), Šumi Pazinčica pod Kaštela (1983), etc. He also wrote: Happy holiday, Pazin combos, Over the mounds of shooting Kragujevac (poems and dramatic text, 1988) and others He wrote dramatic texts: Three heroes of Rijeka, historical paintings of Rijeka from the Napoleonic Wars (1957), Under the Hot Crown, dramatic vision in three paintings (1957), Brioni Ballad, tragedy in three acts (1958), Vatroslav Lisinski, life drama of the composer of the first Croatian opera (1964), Victim's Three Days (1971), Death of the Kastav Captain, drama in five acts (1978). He is the author of popular cultural texts: The contents(s) of the opera (1938), the town of the villa, the history of Motovun (1969), the March of the Departure over the abyss of Pazinčica, about Pazin in the 19th and 20th centuries (1969) and the brochure Castrum Pisinum 983. (1983). In collaboration with his brother Vitomir, he also published post-reviews: Pazin (1953) and Rijeka (1954), followed by the discussion Croatian Serbian Literary Language and Orthography (1953) and the polemic brochure Me ne infischio dei calunniatori (1963), which refers to the monograph by V. Ujčić Pula from the earliest times to the present day with its surroundings. He was a frequent participant of the Pazin Memorial with topics from the history of education and culture. Some of his songs have been composed.’ (Source: Istrapedia.hr)
Digitization of selected Ujčić's works valorizes cultural heritage and recent history of Pazin and Pazin.
CASTRUM PISINUM 983.

Pazin poet, playwright and publicist, Tugomil Ujčić wrote a brochure on the occasion of the millennium of the first written mention of the town of Pazin Castrum Pisinum 983. It describes a series of historical, cultural, geographical, linguistic and other interesting facts related to Pazin and Pazin.
The first mention of the town of Pazin was found in a document from 983, in which the German-Roman Emperor Oton II gave the Poreč diocese Pazin Castle and other large estates in Pazin. Ujčić mentions the rich past and legacy of the Romans who ruled the area of Istria for six centuries. In the Middle Ages, Pazin became the center of the Istrian County, where until the middle of the 18th century the Poreč bishops, the counts of Gorica and the Habsburgs alternated in power. Until 1945, the Montecuccoli family from Modena ruled Pazin Castle, and with the liberation of Istria, it became a public good in which the Ethnographic Museum of Istria, the Museum of the City of Pazin and the State Archives in Pazin operate.
The author dedicates part of the text to the names that Pazin has carried throughout history, so he states that during Austria he was known as Mitterburg, Pisino and Pazin. He also states that the territory that belonged to Pazin throughout history included parts from Dragonja and the upper course of Mirna to Raša, Barban and Svetvičenat all the way from Učka to Lovreč.
Furthermore, Ujčić writes that Pazin and Kaštel are associated with a famous historical work: Divorce Istrian or Istrian divorce which is written in three languages and two literary works: novel The Bloody Days Vladimir Nazor and the novel by the French writer Jules Verne Mathias Sandorf. Ujčić also points out that Pazin, as a very small town, stood out in particular from three gymnasiums in three teaching languages: German, Italian and Croatian, which operated during the 19th and 20th centuries.
In conclusion, it should be mentioned that Ujčić's consecration contains much more than a few of the above facts and interesting facts. Although extremely concise, the author manages to express all the peculiarities of the city that stands at the center of the history, culture and tradition of the Istrian peninsula.
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On the occasion of the 1000th Anniversary of the first written mention of Pazin Tugomil UJčić, a poet, playwright and publicist, written a brochure titled Castrum Pisinum 983 in which he brings historical, cultural, geographical, linguistic and other curiosities related to Pazin and its surroundings.
Pazin was first sampled in a document exhibition in 983 by which the German-Roman emperor Oton II donated the Castle of Pazin and other large properties surrounding it to the Diocese of Poreč. Ujčić mentions the rich historical legacy of the Romans that over Istria during six volumes. During the Middle Ages, Pazin became the center of the Istrian County which was visited by the bishops of Poreč, counts of Gorizia and the Habsburgs until the middle of the 18th century. The Montecuccoli family became over the Pazin Castle until 1945 which, after the liberation of Istria, became a public good while today it is a home to the Ethnographic museum of Istria, Pazin City Museum and the State Archives in Pazin.
The author dedicated a part of the text to the names that Pazin carried across history dates that, during the Austrian reign, it was named Mitterburg, Pisino and Pazin. He also states that the territory which belonged to Pazin during history included parts of the river Dragonja and the upper flow of the river Mirna to Raša, Barban and Svetvinčenat and all the way to Učka and Lovreč.
volumes that one notable historical work and two literal works are related to Pazin and its’ Castle: the Istrian Book of BoundariesThe Istrian Divorce) written in three languages, the novel Bloody Days (The Bloody Days) by Vladimir Nazor and the novel Mathias Sandorf by the French writer Jules Verne. Ujčić also finds that Pazin as a small city places out with three gymnasiums that worked during the 19th and 20th century with three teaching languages: German, Italian and Croatian.
In conclusion, it is important to mention that Ujčić’s dedication affects so much more than the facts and curiosities contained in the previous text. extremely concise, the author managed to express the particularities of the city in the middle of the history, culture and tradition of the Istrian peninsula.
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Il poeta, drammaturgo e pubblicista by Tugomil Ujčić ha scritto un opuscolo in Castrum Pisinum 983 per celebrare and mille anni intercorsi dalla receives volta che Pisino è stata nominata. Qui descrive molte particolarità storiche, culturali, geografiche, linguistiche ed altre.
Il nome di Pisino per la prima volta è stato menzionato in un documento del 983 dove l’imperatore romano-tedesco Ottone II regala al vescovato pisinese il Castello di Pisino ed altre tenute nella zona. Uncle nomina la ricca storia e l’eredità lasciataci dai romani che amministravano l’Istria per ben sei secoli. Nel medio evo Pisino diventa parte della Contea di Pisino dove fineo alla metà del diciottesimo secolo si sono susseguiti i vescovi parentini, and conti di Gorizia e gli Asburgo. Il Castello di Pisino fine al 1945 era governato dalla famiglia Montecuccoli di Modena, e con la liberazione dell’Istria, diventa bene comune dove operano il Museo ethnografico dell’Istria, l’Archivio storico e in seguito anche il Museo della Città di Pisino.
L’autore dedica parte del testo pure ai nomi che Pisino ha assunto attraverso la storia, cosi’ che durante l’Austria era nota come Mitterburg, ed in seguito come Pisino e Pazin. Evidenzia pure il fatto che il territorio che apparteneva a Pisino andava dal fiume Dragogna e dal corso superiore del Quieto fino ad Arsia, Barbana e Sanvincenti, fine al Monte Maggiore e San Lorenzo.
Pisino e il suo Castello vengono nominati nella Deambulazione istriana scritta in tre lingue, come pure nel romanzo The Bloody Days (Le giornate di sangue) di Vladimir Nazor e nel romanzo dello scrittore francese Jules Verne Mathias Sandorf. Uncle racconta che Pisino durante il diciannovesimo e ventesimo secolo era una piccola città con tre ginnasi dove si svolgevano lezioni in tedesco, croato ed italiano.
Per concludere, questo lavoro di Ujčić contiene molto di più di quanto sopra detto. Anche se tratta di un lavoro breve, l’autore riesce a specificare tutte le particolarità della città che sta cuore della storia, cultura e tradizione della penisola.
PAZIN, BERAM, BOLJUN, CEROVLJE, DRAGUĆ, GRAČIŠĆE, GRDOSELO, LINDAR, LUPOGLAV, MOTOVUN, PAZ, PIĆAN, STARI PAZIN, SV. PETAR U ŠUMI, TINJAN, TRVIŽ, ŽMINJ

Along with numerous prose and lyrical works, Tugomil Ujčić wrote, among other things, historical reviews to which this title published in 1953 can certainly be added, written in cooperation with his brother Vitomir Ujčić. The work gives a historical, geographical and demographic overview of Pazin and Pazin, highlighting the peculiarities of the city, villages and settlements. The majority of the work is dedicated to Pazin, so it describes the Pazin stream, Kaštel, churches and schools, prominent individuals and institutions, as well as political and social circumstances in the 19th and 20th centuries in the city area. The authors further mention and describe 68 different villages and settlements from Barat to Žminj in the area of the then Pazin or Istria County, which included the mountainous and inner parts of Istria, from Dragonja and the upper course of Mirna to Raša, Barban and Svetvincenat, then from Učka to Sv. It's Lovreč. The historical overview of the town and village of Pazinština was published in honor of the tenth anniversary of the liberation of Istria from the Italian occupier and the discovery of the memorial tomb of Vladimir Gortan on 13 and 14 June 1953 in Pazin and Berm.
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Together with numerous prose and lyrical works Tugomil Ujčić also written historical reviews to which one can also add the title above, published in 1953 and written with the authors’ brother, Vitomir Ujčić. The work gives an historical, geographic and demographic overview of Pazin and its surroundings emphasizing the peculiarities of the city, villages and settlements. The majority of the work is dedicated to Pazin and the authors describe the Pazin Stream, the Castle, lists and schools, prominent individuals and institutions as well as political and social occasions in the 19th and 20th century. Further more, the names also mention and describe 68 villages and settlements from Barat to Žminj, within the area of the former Pazin or Istria County which includes mountain and inner parts of Istria, from the river Dragonja and the upper flow of the river Mirna to Raša, Barban and Svetvinčenat and all the way to Učka and Lovreč. The historical overview of the city and the villages surrounding it was published honoring the 10th anniversary of the liberation of Istria of the Italian occupier and the unveiling of the memorial tomb of Vladimir Gortan on July 13th and 14th 1953 in Pazin and Beram.
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Oltre alle molte opere in prosa e versi, Tugomil Ujčić scriveva anche delle rassegne storiche alle quali si può aggiungere questo titolo pubblicato nel 1953 e scritto in collaborazione con il fratello Vitomir Ujčić. L’opera offre una rassegna storica, geografica e demografica di Pisino e del pisinese evidenziando le peculiarità della città, del paese e villaggio. La parte principale dell’opera è dedicata a Pisino, lì vienne descritto il fiume di Pisino, il Castello, le chiese e scuole, gli individui ed enti distinti, come pure la situazione politica e sociale nel diciannovesimo e ventesimo secolo in Istria. Gli authors nominano e descrivono 68 villaggi differenti: that Barato a Gimino nell’ambito della Contea istriana o Contea di Pisino che a quei tempi comprendeva la zona montuosa e dell’entroterra dell’Istria, dal fiume Dragogna e dal corso superiore del fiume Quieto ad Arsia, Barbana e Sanvincenti, fine al Monte Maggiore e a San Lorenzo. La rassegna storica di Pisino e dintorni è stata pubblicata in ricorrenza dei dieci anni della liberazione dell’Istria dall’occupazione italiana e dall’inaugurazione della tomba-memoriale di Vladimir Gortan il 13 e 14 giugno 1953 a Pisino e Vermo.
By PAZINSKAH BRIEGAH

In addition to numerous prose and drama works and 11 books of poetry, Tugomil Ujčić wrote the collection ‘Po Pazinnskeh briegah: Poems in the Chakavian Region of Pazin’ from 1954 represents the beginning and culmination of his poetic work and is dedicated to Pazin. It consists of 19 songs that, along with their hometown, Pazin Cave and famous Pazin families, theme the difficult life of an Istrian man who managed to overcome all difficulties despite numerous external influences. It should be emphasized that the collection was written in Pazin's Chakavian area and that the author marked the accent in each poem, preserving the local dialect. The language is lively, changeable and susceptible to influences, so with his poetry Ujčić managed to preserve the Pazin speech in the second half of the 20th century, which thus becomes a permanent testimony to the history of Istria and an irreplaceable part of the identity of the largest Croatian peninsula.
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Tugomil Ujčić wrote prose and dramas together with 11 books. The collection titled Along the hills of Pazin (By the Pazin hills, direct translation) from 1954 according to the beginning and apex of his poetic creation dedicated to Pazin. The collection referred to of 19 poems which thematizing Ujčić’s birthplace, the Pazin Gorge and famous families of Pazin together with the burdrensome life of the Istrian man who managed to overcome affected factors external impacts. It is important to emphasise that the collection was written using the dialect of Pazin and that the author accentuated every poem using local dialect. Language is dynamic, variable and prone to influence so Ujčić with his poetry managed to preserve the dialect spoken in Pazin in the second half of the 20th century and by doing so, it became a permanent testimony of the Istrian history and an irreplaceable part of the identity of largest Croatian peninsula.
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Tugomil Ujčić accanto ai lavori in prosa e ai drammi ha scritto anche 11 raccolte di poesia. La raccolta “By Pazin briegah: poems in the Chakavian region of Pazin’ del 1954 rappresenta l’inizio e il punto massimo del suo operato poetico ed è dedicata a Pisino. Comprende 19 poesie che accanto alla città natale, alla Foiba di Pisino e alle note famiglie pisine si temetizzano la difficile vita dell’uomo istriano che è riuscito a superare tutti gli ostacoli nonostante and fattori esterni. Il libro è scritto in pisinese, e l’autore in ogni poesia ha utilizzato gli accenti conservando in tal modo il dialetto locale. Il dialetto è vivo, cambia, ed è sottoposto a vari influssi, Ujčić è riuscito a conservare la parlata di Pisino della seconda metà del XX secolo, che in tal modo diventa una memoria che dura nel tempo dell’Istria e parte insostituibile dell’identità della più grande penisola croata.
CITY OF GRADILE VILE

Among the historical reviews written by Tugomil Ujčić, one should definitely single out City of villas: Views of history and imagination from the Motovun walls which was published in 1969 in Pazin and which the author dedicated entirely to Motovun, the Motovun forest and the valley of the river Mirna. Ujčić describes the Motovun area from its beginnings, and thus states that near the city is an archaeological site from the early Stone Age. Furthermore, the author describes the turbulent history of Motovun as well as the entire Istrian peninsula, which was under Roman rule for six centuries. After the fall of the Roman Empire, Ujčić describes the arrival of Slavs in the area of the Istrian peninsula and thus to Motovun. The author also states who ruled the area, pointing out: The German Empire, the Patriarchs of Aquileia, the Counts of Gorica, Venice, the Habsburgs, the French and Italy. He describes the Venetian rule that stretched to Motovun and gives an insight into the conflicts between the Austrian and Venetian parts of Istria. With this overview, Ujčić gave a detailed account, not only of Motovun and its history, but also of the history of the entire Istrian peninsula, which, despite many accidents, wars and conquerors, managed to preserve and strengthen its cultural and historical identity.
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Amongst historical overviews written by Tugomil Ujčić the one which most pictures should be abstracted is titled The City built by Fairies: horizons of history and imagination from the Walls of Motovun. It was issued in 1969 in Pazin and dedicated names to Motovun, Motovun forest and Mirna river valley. Ujčić trips the area of Motovun from its beginnings places that there is a Neolithic findings near the city. Further more, the author recommends the turbulent history of Motovun, as well as the whole Istrian Peninsula, which was under the reign of Rome for six markets. After the decline of the Roman Empire, the author presents the arrival of Slavs on the Istrian peninsula and to Motovun. Ujčić also states who overcome over this area pointing out the German Empire, the patriarchs of Aquileia, the Counts of Gorizia, Venice, the Habsburgs, the French and Italy. Describing the Venetian government that supports to Motovun, Ujčić gives insights into the achievements between the Austrian and Venetian parts of Istria. With this overview Ujčić gave a detailed insight not only within the history of Motovun but the history of the whole Istrian Peninsula which managed to maintain and strengthen its cultural and historical identity despite being adversities, wars and conquerors.
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Tra le carrellate storiche scritte da Tugomil Ujčić, bisogna evidenziare senz’altro quella intitolata City villas: Views of history and imagination from the Motovun walls (La città costruita dalle fate: vedute storiche e di fantasia dalle mura di Montona) pubblicata nel 1969 a Pisino e che l’autore ha interamente dedicato a Montona, al suo bosco e alla valle del fiume Quieto. Descrive la zone montonese dal passato più remoto ed evidenzia il fatto che vicino alla località esiste un sito archeologico della prima età della pietra. L’autore descrive la ricca, tormentata storia di Montona e dell’intera penisola istriana che per sei secoli era sotto il dominio romano. Dopo la caduta dell’Impero Romano, Ujčić descrive anche l’arrivo degli Slavi in Istria, che giunsero pure a Montona. L’autore evidenzia chi ha tutto governato qui: dall’Impero tedesco, ai Patriarchi d’Aquileia, ai Conti di Gorizia, a Venezia, agli Asburgo, ai Francesi e agli Italiani. Descrive il dominio di Venezia che in Istria giunse fine a Montona e spiega and conflitti tra la parte austriaca e quella veneta dell’Istria. Uncle con questo lavoro ha dato un resoconto molto dettagliato non solo di Montona e della sua storia, bensì anche della storia di tutta la penisola istriana che, nonostante molte disgrazie, guerre e conquistatori è riuscita a mantenere e a rafforzare la propria identità storica e culturale.
ONE CENTRAL SINGLE

In addition to his prose and dramatic works, Tugomil Ujčić is also known for his numerous collections of poetry, among which the Poems of a High School Student, published by the author in Pazin in 1985, should be included. The collection is dedicated to the author's sixty-year-old graduation in Karlovac where Ujčić spent his refugee days and where the poems from this collection were created. He also dedicated the collection to his student love in the period since 1921. 1925-1925 It consists of three units: Love, Disappearance and Miscellaneous, a total of 102 songs, of which the final six are in Italian. The first two parts represent poetry where typical Petrarchist themes and motifs predominate, while the third part shows dashes from the author's life at the time, so we have poems dedicated to the school break in Istria in 1924, Lindar, his father, but also his deceased friend and Juraj Dobrila.
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extremely his prose and dramas, Tugomil Ujčić is also known for his recent collections of poems, including the Poems of a Highschooler, issued in Pazin in 1958. The collection is dedicated to the sixtieth anniversary of authors’ Highschool graduation in Karlovac where he originated his days in refugee and where the poems originated from. The collection is also dedicated to his Highschool love from the period between 1921 to 1925. It results of three parts: Love, Separation and Miscellaneous Cluster of 102 poems from which the last six are written in Italian. The first two parts represent poetry with writer Petrarchan themes and motives while the third part depicts reminiscences from the authors life in that period and it involves of poems dedicated to the school recess in Istria in 1924, Lindar, his father as well as his deceased friend and Juraj Dobrila.
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Oltre alle sue opere in prosa e ai drammi, Tugomil Ujčić è noto anche per le sue numerose raccolte di poesie, tra cui Songs of a high school student (Poesie di uno students delle superiori), che l’autore ha pubblicato a Pisino nel 1985. La raccolta è dedicata al sessantesimo anniversario della laurea dell’autore a Karlovac, dove Ujčić trascorse and suoi giorni da rifugiato e dove furono scritte le canzoni di questa raccolta. Dedicò la raccolta anche al suo amore quando era students dal 1921 al 1925. La raccolta si compone di tre parti: Love, Divorce and Miscellaneous (Amore, Addio e Varie), per un totale di 102 poesie, le ultime sei delle quali sono in italiano. Le prime due parts rappresentano poesie dove predominantly to the subject e motifs petrarcheschi, mentre la terza parte mostra schizzi della vita dell’autore in quel momento, quindi abbiamo poesie dedicate alle vacanze scolastiche in Istria nel 1924, a Lindaro, a suo padre, ma anche al suo amico defunto e a Juraj Dobrila.
SUBSTANCED ROOM SUBJECT

In addition to the already mentioned dramatic texts in Pazin in 1957, Ujčić published a dramatic vision in three paintings with an epilogue of the title Under a hot crown. The drama, foreword and commentary were written by the author's brother Vitomir with whom Ujčić often collaborated in the creation of his literary texts. The foreword presents a presentation of the theme and basic motifs that inspired the author in creating a dramatic text. In the center are oppressed and heroic peasants who, under the leadership of Matija Gubec, seek their rights and freedom from secular and ecclesiastical feudal lords. Alongside Gubec, the drama features the characters of the leaders of the rebel peasants, their wives as well as the nobleman Franjo Tahi, whose attitude towards the peasants is one of the main causes of the outbreak of the Peasants' Revolt in 1573. The three paintings, consisting of Ujčić's text, show the different moments and places that marked the course of the revolt. The first picture shows Neighborhood and gives an insight into the relationship between Tahi, his soldiers and serfs from the area, as well as insight into Gubec's motives for rebellion. The second picture is set in Stubica, where the leaders of the uprising set out their plans and say goodbye to their loved ones, while the last picture shows the day of Gubec's execution on Marko's Square in Zagreb. Ujčić's text ends with an epilogue located in Donja Stubica in the middle of the 20th century, where Tahi's town lies in ruins while the people rejoice and remember the sacrifice of brave peasants in rebellion in 1573.
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With written dramatic texts, Ujčić issued Under the Ardent Crown in 1957 in Pazin as a dramatic vision in three pictures with an epilogue. The drama, its foreword and the comments were written by the authors’ brother Vitomir with whom Ujčić collaborated in the process of creation of his texts. The foreword expresses the display of theme and basic motives which inspire the author in the process of creation. Oppressed and heroic peasants under the leadership of Matija Gubec, searching for their rights and freedom from both secular and ecclesiastical feudal lords, are the center of the drama. opposite Gubec, other characters include the leaders of the rebelled peasants, their wives and landlord Franjo Tahi personally attitude towards the peasants was one of the main choices of the outbreak of the Peasant Revolt of 1573. The three pictures created by Ujčić’s text represent different places and places that mark the course of the revolt. First picture depicts Neighborhood and gives insight into the relations between Tahi, his friends and peasants from that area, as well as the insights into Gubec’s motives for the revolt. Second picture is set in Stubica where the leaders of the revolt lay out their plans and say goodbye to their loved ones faint. The last, third picture depicts the day of execution of Matija Gubec on St Mark’s Square in Zagreb. Ujčić presenting the text with an epilogue set in Donja Stubica in the middle of the 20th century, depicting Tahi’s town in ruins while the people rejoice and remember the sacrifice of the lock peasants from the Revolt of 1573.
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Nel 1957, oltre ai testi drammatici già citati, Ujčić pubblicò una visione drammatica in tre immagini con epilogo dal titolo Under hot crown (Sotto la corona ardente) a Pisino. Il dramma, la prefazione e il commento sono stati scritti dal fratello dell’autore Vitomir, con il quale Ujčić ha spesso collaborato alla creazione dei suoi testi letterari. Al centro ci sono and contadini oppressi ed eroici che, sotto la guida di Matija Gubec, reclamano and loro diritti e la libertà dai feudatari laici ed ecclesiastici. Insieme a Gubec, il dramama presenta and personaggi dei leader dei contadini ribelli, le loro Mogu, così come il grande Franjo Tahi, il cui atteggiamento verso and contadini è una delle principali cause dello scoppio della Rivolta dei Contadini nel 1573. Le tre immagini, che compongono il testo di Ujčić, mostrano diversi momenti e luoghi che hanno segnato il corso della ribellione. La receives immagine mostra Neighborhood e offre una spiegazione del rapporto tra Tahi, and suoi soldati e i servi della gleba di quella zona, oltre alle informazioni sui motivi della ribellione di Gubec. La seconda immagine ‘si trova’ a Stubica, dove i leader della rivolta espongono and loro piani e salutano and loro cari, mentre l’ultima immagine mostra il giorno dell’esecuzione di Gubec a Piazza San Marco a Zagabria. Il testo di Ujčić si conclude con un epilogo ambientato a Donja Stubica alla metà del XX secolo, dove la città di Tahi giace in rovina mentre la gente si rallegra e ricorda il sacrificio di valorosi contadini nella ribellione del 1573.
ARTICLE TRADE

Ujčić's grief is most often described as a poet, dramatist and publicist. His work, along with dramatic texts such as Three Heroes of Rijeka, historical paintings of Rijeka from the Napoleonic Wars (1957), Under a Hot Crown, a dramatic vision in three paintings, the Brioni Ballad, a tragedy in three acts (1958), etc., should certainly be added to the Victim's Three-Day, a drama in three days created in 1971, on the occasion of the 30th anniversary of the Kragujevac tragedy. After completing his studies in Belgrade in 1929, Ujčić, as a high school professor, came to the Second Men's Real Gymnasium in Kragujevac in 1941. In October 1941, the German army executed a mass shooting of more than 2,500 citizens of Kragujevac and surrounding areas. The victim's three-day anniversary represents a kind of dedication of the author to the victims of this crime, especially since among the victims there were many colleagues and friends of Ujčić's professors, as well as high school students to whom he taught. The drama consists of three acts, three days (October 20-22) whose narrator is Pesnik who from his room initially passively and with disbelief describes the relentless events that lead to tragedy. The faces that appear in the drama represent a cross-section of all participants in the tragedy, so we have victims: Professor, Jack, Stark, Boys I and II, Talac, etc., families of victims such as mothers and girls, but also German officers and commanders responsible for the crime. The peak, and also the conclusion of the drama, is the narrator's call and involvement in the fight against the occupiers. The events of 1941 had a great impact on the life and creation of Tugomil Ujčić because the author, along with this drama, published a collection of poems Bilo me stid what ostadoh live in 1966, as well as poems and dramatic lyrics in 1988 under the title Nad humkama Shooting Kragujevčana.
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Tugomil Ujčić is mostly described as a poet, dramatist and publicist. To his other dramatic texts, such as The Three Heroisms of Rijeka (1957), the historical picture of Rijeka from the era of Napoleonic wars, Under the Ardent Crown, a dramatic vision in three pictures, The Ballad of Brioni (1957), a tragedy in three acts etc. one must add the drama issued in 1971 on the occasion of the 30th Anniversary of the Kragujevac Massacre titled The Three-day Sacrifice.
After finishing his studies in Belgrade in 1929, Ujčić became a High school teacher in the Second Male Real Gymnasium in Kragujevac in 1941. In October of 1941 the German Army troops over 2500 citizens of Kragujevac and the surrounding villages. The Three-day Sacrifice orders a kind of a dedication to the victims of the crime especially knowing that a lot of Ujčić’s collegues and friends, as well as Ujčić’s students from the Gymnasium, were victims too. Drama versions of three acts leading three days (October 20th to 22nd) narrated by the Poet who visits the events leading to the tragedy, watching them happen passively and in disbelief from his room. Characters figures in the drama are the intersection of all participants of the tragedy, i.e. the victims are a Professor, a Student, an Old Man, Boy I and II, Hostages etc., families of the victims – mothers and girlfriends, but also the German soldiers and commanders responsible for the victims. The culmination of the drama, which is also its conclusion, shows the narrators’ invitation and involvement into the battle against the oppressors. The events from 1941 had a large influence on the life and creation of Tugomil Učić because the author, authors this drama, published a collection of poems in 1966 titled I was ashamed to have been as well as poems and a dramatic text in 1988 titled Over the mounds of the Victims of Kragujevac.
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Tugomil Ujčić è spesso descritto come poeta, drammaturgo e pubblicista. Oltre a testi drammatici come Three fiumi dell’eroismo, alle immagini storiche di Fiume delle guerre napoleoniche (1957), Under the hot crown (Sotto la corona rovente), una visione drammatica in tre immagini, Brioni ballad (La Ballata di Brioni), una tragedia in tre atti (1958), ecc. è certamente necessario aggiungere alla sua creatività l’opera Victims’ three-day (Tre giornate di sacrifici), un dramma di tre giorni realizzato nel 1971, in occasione del trentesimo anniversario della tragedia di Kragujevac. Dopo aver completato i suoi studi a Belgrado nel 1929, Ujčić giunse al Secondo Ginnasio maschile reale di Kragujevac come insegnante di scuola media superiore nel 1941. Nell’ottobre del 1941, l’esercito tedesco eseguì un’esecuzione di oltre 2,500 cittadini di Kragujevac e delle città circostanti. La Triade del Sacrificio, ossia le Tre giornate di sacrifici rappresenta una variety di dedica dell’autore alle vittime di quel crimine, soprattutto perché tra le vittime c’erano molti colleghi e amici professori di Ujčić, oltre a students delle scuole superiori a cui insegnava. Il dramma si compone di tre atti, tre giorni (dal 20 al 22 ottobre), il cui narratore è il Poeta, che inizialmente, passivamente e incredulo, descrive dalla sua stanza gli eventsi spiacevoli che portano alla tragedia. And volti che appaiono nel dramma rappresentano una species di riassunto di tutti and partecipanti alla tragedia, quindi abbiamo le vittime: Professors, Students, Vecchio, Ragazzi I e II, Ostaggi, ecc., le famiglie delle vittime come madri e ragazze, ma anche ufficiali e comandanti tedeschi responsabili del delitto. Il clou e allo stesso tempo la conclusione del dramma è l’invito e il coinvolgimento del narratore nella lotta contro gli occupatori. Gli eventi del 1941 hanno avuto un grande impatto sulla vita e sull’opera di Tugomil Ujčić, perché nel 1966 l’autore ha pubblicato una raccolta di poesie, I was ashamed that I remained alive (Mi vergognavo di essere rimasto in vita), oltre a poesie e un testo teatrale nel 1988 dal titolo Over the mounds of shooting Kragujevac (Sulle lapidi degli abitanti di Kragujevac fucilati).
WORKSHOPS

Tugomil Ujčić, along with other literary types in which he tried to write poetry. Songs of a High School Student is one of his works that has been digitized in this project and represents a dedication to Ujčić's high school days spent in Karlovac Classical Gymnasium. The poems included in the collection were created between 1921 and 1925, and the manuscripts we present here in digital form are largely the primary source for the creation of Ujčić's collection of poetry. The manuscript collection consists of six notebooks that give a unique insight into the author's process of creation, as well as into the themes, motifs and reflections that marked Ujčić's life and whose influences can be read in his more mature works. The poetry that was created in these notebooks represents a kind of exercise, grinding the writing and expression skills of one of the most important Istrian authors and is a valuable source and testimony of Croatia and Istria in the first half of the 20th century.
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In addition to other literary genres, Tugomil Ujčić also wrote poetry. Poems of a highschooler is one of his works that has been digitized in this project and is a dedication to Ujčić’s high school days spent at the Classical Gymnasium in Karlovac. The poems included in the collection were written in the period from 1921 to 1925, and the manuscripts that we present here in digital form are to a large extent the primary source for the creation of Ujčić’s poetry collection. The collection of manuscripts resulting from six notebooks that give a unique insight into the author’s creative process, as well as into themes, motifs and reflections that cultural Ujčić’s life and significant influences can be read in his more mature works. The poetry that was created in these notebooks states a kind of exercise, honing the craft of writing and expression of one of the most important Istrian authors and is a valuable source and testimony of Croatia and Istria in the first half of the 20th century.
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Tugomil Uncle oltre agli altri generi letterari in cui si è cimentato, ha scritto anche poesie. ‘Poesie di uno students delle medie superiori’ è una delle sue opere digitalizzate nell’ambito di questo progetto, ed è una dedica ai giorni di liceo trascorsi da Ujčić al ginnasio classico di Karlovac. Le poesie incluse nella raccolta sono state scritte nel periodo che va dal 1921 al 1925, e i manoscritti che presentiamo qui in forma digitale sono in larga misura la fonte primaria per la creazione di una raccolta delle sue poesie. La collezione di manoscritti è composta da sei quaderni che offrono una visione unica del ‘processo creativo’ dell’autore, nonché dei teme, dei motivi e delle riflessioni che hanno caratterizzato la vita di Ujčić e i cui influssi si possono leggere nelle sue opera più mature. La poesia che è stata creata in questi quaderni rappresenta una variety di esercizio che affina le capacità di scrittura ed espressione di uno dei più importanti authors istriani ed è una preziosa fonte ed anche una testimonianza che racconta della Croazia e dell’Istria nella prima metà del XX secolo.